PAGE ONE (five panels)
Panel 1. An establishing of a city but from high above. It looks like a satellite image, a sort of google earth vibe.
Panel 2. The same as before but closer. Now smoke can be seen rising from the center of the city which has been totally obliterated by some kind of disaster. It’s bright and sunny otherwise and birds can be seen.
Panel 3. Even closer there is a huge crater now plainly visible and in the center a man can be seen lying on the ground flat on his back with his arms outstretched. Around him in a circle are corpses in various stages of dismemberment but there is a bare space between them and the man in the center.
Panel 4. Even closer, now the features of the man, ALISTER, become visible. He is tall and athletic with brown hair; he is dressed casually in jeans and a T-shirt which are torn and blasted. His left arm has a tattoo of a crucifix. He is staring up in the sky eyes wide as though transfixed in fear.
Panel 5. A close up of ALLISTER’s steel grey eyes.
1. NARRATION: I died here.
PAGE TWO (five panels)
Panel 1. A hallway in a public building. There are no windows and there are various pieces of medical equipment scattered half-hazardly around. Some doors look recently installed as though it was in the middle of a major renovation. The whole place looks sterile but also messy, like a hospital after a major emergency. Although it’s not obvious, on closer examination some of the gear is stamped ‘Castor Pharmaceuticals’. There are two men walking down a hallway, there are rooms off to either side with observation ports like a prison. The doors look like recent installations. The men are dressed like scientists and one of them has a clipboard.
Panel 2. The two men have stopped in front of one of the doors and slide open the observation slit and are leaning forward to peer inside.
1. SCIENTIST: …And this one?
2. CLIPBOARD (OFF): Allister DeWitt, born and raised in a little town not far from San Antonio. Father’s a Baptist minister, mother’s a… homemaker, which is just a fancy way to say unemployed, I think.
Panel 3. A full view of ALLISTER as though the viewer were looking over him. He is on a bed hooked up to several different machines and an IV drip, the whole nine yards. He’s been stripped naked and his wounds are no longer bleeding. However his body appears partially necrotized, especially on his right side radiating out from his arm which is a purplish black with engorged veins.
3. CLIPBOARD (OFF): Student in the UT at Arlington doing a major in psychology. In the ROTC program. Got Bs and a few Cs. He’s in his senior year but from the look of his transcript he’ll need a fifth to finish.
4. CLIPBOARD (OFF): Votes. He’s a registered Libertarian, Jesus Christ. No criminal record. Average credit rating and a clean driving record. He once served on a jury for a child abduction case which returned a guilty verdict.
5. CLIPBOARD (OFF): Emergency medical contact was his parents but both were visiting Arlington and are missing believed killed in the impact event. Excellent physical condition, apparently, he was a collegiate rock-climbing competitor.
Panel 4. A view from inside the room. The door leading inside is visible as are the men looking through it. The room looks like a hospital room, but without any of the niceties like flowers or a TV. ALISTER is visible on the bed.
6. SCIENTIST (OFF): Collegiate rock climbing? That’s a thing?
7. CLIPBOARD (OFF): Apparently.
8. CLIPBOARD (OFF): Never guess what he was doing when the impact hit. He was a freakin pizza guy, out on a delivery.
9. SCIENTIST (OFF): You gotta be fucking kidding.
10. CLIPBOARD (OFF): Thirty minutes or it’s free.
Panel 5. A shot of the heart rate monitor, it’s showing a regular very low activity.
11. SCIENTIST (OFF): You know I could go for a pizza actually.
12. CLIPBOARD (OFF): We’ll pick up a couple slices once we’re off the clock.
13. CLIPBOARD (OFF): Anyway, we pulled him out of the rubble in a coma and apparently his body is reacting differently to the impact material then any of the others.
14. CLIPBOARD (OFF): Dr. Castor wants him preserved until he can fly down here to examine him personally.
PAGE THREE (four panels)
Panel 1. The hallway again. A shot from behind. The two men are now walking further on leaving ALLISTER’s room behind.
1. SCIENTIST: Eh the commissary never has any good pizza. God forbid they serve a slice with olives.
2. CLIPBOARD: Olives on a pizza? Disgusting.
Panel 2. A close up of ALLISTER’s face. He looks dead.
3. SCIENTIST (CAPTION): You don’t know a single Goddamn thing about cuisine. Olives are some good shit.
Panel 3. A shot of ALLISTER’s torpid body.
Panel 4. ALLISTER lurches to a sitting position gasping desperately for air.
4. NARRATION: Hungry.
PAGE FOUR (five panels)
Panel 1. ALLISTER leaps out of bed, lunging towards the door.
1. NARRATION: Must eat.
Panel 2. ALLISTER is at the door out of the room and is desperately trying the door knob.
2. NARRATION: Starving…
Panel 3. ALLISTER has slumped up against the door as though in despair. He’s clutching at his stomach.
Panel 4. A close up of ALLISTER’s face. He seems confused as though he’s just realized that he’s conscious and in a strange place.
3. ALLISTER: Where the heck am I?
Panel 5. ALLISTER stands up weakly in front of the door with his hand on his head looking back at the hospital room.
4. ALLISTER: The last thing I remember…
PAGE FIVE (five panels)
Panel 1. A shot of an interstellar object entering the earth’s atmosphere from space.
Panel 2. ALLISTER is visible in the clothes from the first page but he is still uninjured. He is standing on a crowded city street in front of an apartment building holding a pizza box. He’s looking up as are a couple of other people.
Panel 3. A shot of ALLISTER from behind looking up and the meteor can be seen streaking through the sky. All the people are now looking up at it.
Panel 4. A recreation of the fourth panel from the first page.
Panel 5. A recreation of the fifth panel from the first page.
1. NARRATION: I died…
PAGE SIX (six panels)
Panel 1. A close up of a woman, GEMINI, from behind her. In front of her is a microphone and the room she is in is dark and mostly empty but her short dark hair is dimly illuminated by an image of ALLISTER in security footage on her computer.
1. GEMINI: Well, isn’t this interesting.
Panel 2. ALLISTER has fallen to his hands and knees in the hospital room and is gripping his head as though he’s suffering from a severe migraine. An intercom is visible by the door and it’s from this GEMINI’s voice emerges.
2. GEMINI: Hey you. Can you hear me?
3. ALLISTER: Yes…
Panel 3. ALLISTER is using the bed to drag himself to his feet; he’s still suffering from a headache.
4. ALLISTER: Who are you?
Panel 4. A close up of GEMINI’s mouth forming a smile.
5. GEMINI: The room you’re in is only equipped with a security camera but no microphone. I can’t hear you but I take it you can hear me. Use the intercom and we can speak.
Panel 5. Back in the hospital room ALLISTER presses the button on the intercom.
6. ALLISTER: Who are you?
7. GEMINI: I’m not exactly supposed to be doing this so you’ll forgive me if I don’t tell you my name. Call me Gemini.
Panel 6. A close up of ALLISTER’s right hand which appears mutated and discolored.
8. ALLISTER: My name is Allister. What happened?
9. GEMINI: That’s difficult to explain; perhaps it would be best if we concentrated on getting you free first.
PAGE SEVEN (seven panels)
Panel 1. A shot from outside in the hall viewing the door into the hospital room. ALLISTER is visible looking out of the view port.
1. ALLISTER: Why exactly am I here? How do I know I want to get out?
2. GEMINI: I suppose you’ve been unconscious until recently. You’re being held by the military relief forces as a subject for experimentation. You were infected with something during the… incident.
Panel 2. Back inside the hospital room ALLISTER is now leaning casually up against the wall next to the intercom.
3. ALLISTER: I admit I don’t care much for the fact that they’ve locked me in here.
4. ALLISTER: But if you’re hoping that I just assume all military experiments are immediately evil just because it’s that way in the movies I’m afraid you’re going to be disappointed.
Panel 3. ALLISTER is gawking at his arm. He’s still not thinking clearly enough to be horrified he seems more morbidly fascinated.
5. GEMINI: Don’t tell me you actually trustthe government?
6. ALLISTER: Well, I wouldn’t go that far but to be honest with you I look like I really do need a doctor right now.
Panel 4. ALLISTER tries to look out through the observation slit in the door.
7. GEMINI: You’re not in a hospital. You’re in the Earle Cabell Federal Building.
8. ALLISTER: Didn’t look like this when I did jury duty here.
Panel 5. A close up of GEMINI’s hands working over a keyboard.
9. GEMINI: I don’t expect it did.
10. GEMINI: FEMA took it over once they found out it was the closest government building to the impact event still intact, mostly intact that is.
11. ALLISTER: Impact event?
Panel 6. Another recreation of the panel of ALLISTER looking up at the meteor.
12. GEMINI (CAPTION): I didn’t want to get into this until you were safe but I didn’t expect you would need this much convincing.
13. GEMINI (CAPTION): Something, no one’s sure what yet, landed right between Dallas and Fort Worth.
14. GEMINI (CAPTION): Early reports said it was a small nuke. Now they’re saying meteor. Arlington is just about vaporized. Hundreds of thousands missing.
15. NARRATION: I died.
Panel 7. A close up of ALLISTER. He seems to be brooding and not really listening.
16. GEMINI: Actually, you’re one of the only people in the city who survived.
17. GEMINI: And these experiments they’re going to run on you aren’t so much about curing you as dissecting you.
PAGE EIGHT (six panels)
Panel 1. ALLISTER is broken out of his reverie. He’s worried but not panicked.
1. ALLISTER: My parents were visiting me in Arlington. Are they alright?
2. GEMINI: Honestly Allister I don’t know. But if you agree to help me and we get you out of there I promise you I will do everything I can to find out.
Panel 2. A shot from over GEMINI’s shoulder looking at her monitor. ALLISTER is directly addressing the security camera.
3. ALLISTER: Alright suppose I believe you.
4. ALLISTER: How exactly do you want me to help you?
Panel 3. In the room ALLISTER paces back and forth restlessly while he listens.
5. GEMINI: I’ve been trying to get evidence of what they’re doing out of that building and I think you might be a golden opportunity.
6. GEMINI: That evidence should also prove to you I’m telling the truth.
Panel 4. A close up as ALLISTER considers the matter and develops a twitch in his right eye.
Panel 5. A similar shot to the last panel but ALLISTER rubs his eye to stop the twitching.
7. ALLISTER: Sure, why not. Sounds like fun.
Panel 6. ALLISTER is hopping around the room like he’s amped up. He moves around kind of like a boxer before a fight.
8. GEMINI: You suddenly seem much more enthusiastic.
9. ALLISTER: I’m just sick of thinking about it. Let’s just do it and see what happens.
PAGE NINE (seven panels)
Panel 1. ALLISTER pulls a metal bar free from his bed which was used as a handrail on the side.
1. GEMINI: If I send a technician into that room do you think you’d be able to surprise and subdue him?
Panel 2. ALLISTER looks at the metal bar in his hand.
2. ALLISTER: Yep.
Panel 3. ALLISTER takes a few practice swings.
3. GEMINI: Well, that’s good. Because I’ve buzzed one to come check your life support equipment.
4. GEMINI: He should be wearing a headset, put it on and I’ll use it to guide you.
Panel 4. A shot of the TECHNICIAN walking down the hallway up towards ALLISTER’s room. He’s checking his phone and whistling a tune
4. ALLISTER (OFF): Got it.
Panel 5. The TECHNICIAN swings open the door to the room and walks up towards ALLISTER who is back on the bed and playing at being asleep which holding the bar out of sight.
Panel 6. As the TECHNICIAN checks the equipment ALLISTER leaps up and swings the bar around but low so that he hits the man in the knee.
Panel 7. The TECHNICIAN has fallen to his knees. ALLISTER has gotten behind him and chokes him out with the bar.
PAGE TEN (six panels)
Panel 1. ALLISTER peeks his head out from the doorway of his room. He has dressed himself in the TECHNICIAN’s clothes.
Panel 2. GEMINI watches ALLISTER’s progress on the security footage.
1. GEMINI: Go down this hall and take the third door on the left. If you hurry there shouldn’t be anyone there.
Panel 3. ALLISTER emerged into an office space which has been refitted with lab equipment. A few screensavers show the logo for ‘Castor Pharmaceuticals’.
2. ALLISTER: There’s no one here at all?
3. GEMINI: Ah, I suppose you wouldn’t know what time it was would you.
4. GEMINI: It’s in the middle of the graveyard shift and they’ve had some trouble getting personnel into the city since the disaster.
Panel 4. ALLISTER walks between the desk scanning the items on top which are mostly equipment or left-over personal effects from the previous workers. He’s heading towards a set of double doors.
5. ALLISTER: FEMA always has trouble getting things done in an emergency.
6. ALLISTER: It wouldn’t be such a problem if they weren’t federal agency in charge of managing emergencies.
7. GEMINI: The experimentation rooms should be just ahead.
Panel 5. ALLISTER opens the double doors and reacts with shock to what he sees on the other side.
8. ALLISTER: God help us.
Panel 6. A wide shot of a room outfitted like a morgue for autopsies but there are multiple subjects being dissected at once. All the patients’ bodies are in various stages of actually consumption by an infection which looks very similar to ALLISTER’s arm. Some are little more than torsos and all have other injuries from the impact. A few of the more intact patients have had their torsos pulled open and their organs have been pooled around them on stands set up around them for that purpose.
9. ALLISTER: What the hell are they doing here?
10. GEMINI: Not pretty is it.
11. GEMINI: This is why we need to get you out of there.
PAGE ELEVEN (five panels)
Panel 1. A blond man in a fine suit with very aristocratic features sits in the passenger compartment of a private airplane. He has a tray in front of him on which he is opening a laptop. Beside him is a very attractive female CONCIERGE in a low-cut business suit. The CONCIERGE’s dialogue is stylized pink text.
1. DR. CASTOR: Have a bottle of burgundy brought to me. The best year of whatever winery they keep in the plane’s stores.
2. CONCIERGE: Yes sir.
Panel 2. A close up of a video call which is opened on the laptop with CLIPBOARD and SCIENTIST on the other side.
3. CLIPBOARD: Dr. Castor.
4. DR. CASTOR (OFF): I’m going to be arriving at FEMA’s emergency landing strip in the Arlington ruins in half an hour. Have a vehicle ready.
Panel 3. Both CLIPBOARD and SCIENTIST are crammed around a single tiny laptop. It’s sitting on a bare cafeteria style table they are sitting at.
5. SCIENTIST: Absolutely sir.
6. DR. CASTOR: Now, concerning Patient 13.
7. CLIPBOARD: Mr. DeWitt.
Panel 4. Close to the view is the CHAUFFER’s torso, her face is cut off but she is pouring the glass of wine. Behind her DR. CASTOR has buds in his ears from the laptop open in front of him.
8. DR. CASTOR: Are you certain his test results are accurate?
9. CLIPBOARD: Oh yes sir. I ran them myself.
10. SCIENTIST: And I double and triple checked them as well sir.
Panel 5. The CHAUFFER leans forward provocatively to give DR. CASTOR his wine. He takes it from her disinterestedly.
11. DR. CASTOR: Excellent. I want him prepared for my personal examination the moment I arrive.
12. CONCIERGE: Can I offer you anything else, doctor?
13. DR. CASTOR: My cabin in five minutes. You’ll have twenty minutes to impress me before I get ready for landing.
PAGE TWELVE (four panels)
Panel 1. The SCIENTIST is running across the mostly empty cafeteria towards CLIPBOARD who is still waiting with the laptop.
1. SCIENTIST: He’s gone!
2. CLIPBOARD: That’s not possible.
3. SCIENTIST: I assure you, it’s terrifyingly possible.
Panel 2. A private airplane cabin with a small bed. On it is the CHAUFFER who has undressed completely. DR. CASTOR has taken off his jacket and is in the process of unbuttoning his cufflinks.
4. DR. CASTOR: The agency assured me that you were very skilled.
5. CHAUFFER: Extremely skilled Doctor. Let me show you.
Panel 3. A close up of DR. CASTOR’s closed laptop.
6. FX: Beep. Beep.
7. CHAUFFER (OFF): Do those two need daddy’s reassurances again?
8. DR. CASTOR (OFF): Don’t stop. Open call. Audio only.
Panel 4. DR. CASTOR is lying on his back while the CHAUFFER rides him. They are both completely undressed. CLIPBOARD’s voice comes through the computer.
9. CLIPBOARD: Ah, Dr. Castor, we seem to have a small problem.
10. DR. CASTOR: What is it?
10. CLIPBOARD: Well Subject 13 seems to be… Well, that is to say he’s not… He’s not exactly located in a place… of which we are aware… of where it is at… currently.
11. DR. CASTOR: You lost him?
12. CLIPBOARD: Only for the moment. I assure you…
PAGE THIRTEEN (seven panels)
Panel 1. ALLISTER is in the dissection room looking through files on a computer when an alarm begins the sound.
1. CLIPBOARD (CAPTION): He won’t get away.
2. GEMINI: Grab what you can and get out of there!
Panel 2. A small inset panel of ALLISTER’s hand grabbing a USB drive and yanking it out of the computer.
3. ALLISTER (OFF): And how the heck do I do that?
Panel 3. ALLISTER bounds out of the room back into the hallway.
4. GEMINI: The top floors of any building that close to the impact site are unstable so you’re not that high up.
Panel 4. ALLISTER spies a window at the end of the hall.
5. GEMINI: Look for a window.
Panel 5. ALLISTER charges into the window at full speed.
6. ALLISTER: Here goes nothing.
7. GEMINI: Wait! Don’t just-
Panel 6. A close up of ALLISTER’s face in a state of shock.
8. ALLISTER: Oh no.
Panel 7. A long vertical panel along the whole right side of the page of ALLISTER crashing out a window about half way up the building. It’s night out.
9. ALLISTER: AAAAAAUUUUGGHH!
PAGE FOURTEEN (five panels)
Panel 1. ALLISTER smashes into the ground hard.
1. GEMINI: Allister!? ALLISTER?!
Panel 2. ALLISTER lies on the ground face upwards. He is coming back to his senses.
2. ALLISTER: I’m… I’m okay.
Panel 3. ALLISTER sits up and looks mystified as he examines his infected hand.
3. GEMINI: What the hell is wrong with you? You’re lucky you’re not dead.
4. ALLISTER: Lucky?
Panel 4. ALLISTER gets up to his feet and starts to leave.
5. GEMINI: You need to get out of there. Can you still walk?
6. ALLISTER: Yeah.
7. GEMINI: Then run. As fast as you can.
Panel 5. ALLISTER takes off running into the night.
8. ALLISTER: Where am I going?
9. GEMINI: Anywhere so long as it’s away from there.
PAGE FIFTEEN (six panels)
Panel 1. A wide shot of a convoy of military APCs pull away from the building.
1. GEMINI (CAPTION): They’re sending out patrols to retrieve you. Stay off the streets.
Panel 2. ALLISTER ducks into an alley as an APC rolls past him.
2. GEMINI: When you leave the area, we’ll lose contact so be sure the you-
3. GEMINI: …
4. ALLISTER: You’ve got to be kidding me.
Panel 3. ALLISTER gets into cover and examines his headset.
5. ALLISTER: Gemini?
6. ALLISTER: I cannot believe this.
Panel 4. ALLISTER checks a door in the alley which leads into a building.
7. ALLISTER: Be sure that I- what?
8. ALLISTER: And the door is locked, because of course it is.
Panel 5. ALLISTER grabs the door with his infected hand and places a foot against the wall to give himself leverage. The door begins to open.
9, ALLISTER: Maybe it’s just stuck.
10. ALLISTER: There we go.
Panel 6. A close up of the door showing that it was locked with a very secure looking bolt but he pulled it open with brute strength. ALLISTER is in the background out of focus going further into the building.
11. ALLISTER: Must’ve gotten lucky again.
PAGE SIXTEEN (five panels)
Panel 1. An establishing shot of a dark bar which ALLISTER finds himself in. Several of the people look dirty and/or injured and there has been some structural damage. Everyone is drinking quietly.
Panel 2. ALLISTER quietly slips into a seat in the back trying to keep his arm hidden and out of sight.
1. ALLISTER (CAPTION): Thank God. I don’t think they know where I am.
Panel 3. The entrance to the bar flies open. CLIPBOARD and SCIENTIST enter flanked by soldiers. All of them are wearing hazmat gear.
2. CLIPBOARD: We know exactly where you are. Come out peacefully please Mr. DeWitt.
Panel 4. A view from behind CLIPBOARD and SCIENTIST they observe the bar but no one stands out. Everyone eyes the soldiers with fear. ALLISTER remains just out of sight.
3. CLIPBOARD: Fine. Stay where you are.
4. CLIPBOARD: Sergeant, start killingthem one at a time until you find him.
5. SOLDIER: Yes sir.
Panel 5. ALLISTER stands up with his hands raised.
6. ALLISTER: Wait! Don’t shoot anyone, I’m here!
PAGE SEVENTEEN (four panels)
Panel 1. CLIPBOARD points at ALLISTER and a pair of soldiers move towards him. The SCIENTIST speaks to his partner.
1. CLIPBOARD: There he is. Disable him sergeant and transport him back to the facility.
2. SCIENTIST: All these people were exposed to him. The chance of infection is-
Panel 2. A close up of CLIPBOARD yelling instructions to the soldiers.
3. CLIPBOARD: Yes, of course. Kill everyone else here. But not the subject!
Panel 3. Each of the soldiers who came after him grabs ALLISTER by an arm. He struggles with them but they keep him under control.
4. ALLISTER: NO!
Panel 4. A wide shot of the bar being riddled with automatic fire by the soldiers. ALLISTER is trying to stop them but the two men who have grabbed him are holding him to the side.
PAGE EIGHTEEN (five panels)
Panel 1. ALLISTER violently rips his infected arm free sending the soldier who was holding it flying forward.
Panel 2. ALLISTER swings around with his momentum and kicks the other soldier in the stomach.
Panel 3. ALLISTER sprints forward to stand between the soldiers and the civilians with his arms outstretched. He is perforated by dozens of bullets.
1. ALLISTER: STOP!
2. CLIPBOARD: Cease fire!
Panel 4. A shot from the soldiers’ side. CLIPBOARD is screaming at the soldiers about half of whom have stopped shooting. ALLISTER is in the process of falling to the ground. All the civilians are dead.
3. CLIPBOARD: Don’t shoot the subject! Cease fire Goddamnit!
PAGE NINETEEN (five panels)
Panel 1. CLIPBOARD is shouting at the soldiers and slaps his clipboard into the SCIENTIST’s chest as he meekly approaches him.
1. CLIPBOARD: I swear to Christ! You fucking killed him! What did I tell you precisely not to do!
2. SCIENTIST: The call just came in. Dr. Castor is on the ground and driving directly here.
3. CLIPBOARD: FUCK!
Panel 2. CLIPBOARD rushes towards ALLISTER’s body.
4. CLIPBOARD: Maybe he’s not dead. Please don’t be dead. I’m begging you, please don’t be-
Panel 3. ALLISTER’s eye opens. CLIPBOARD’s terrified face is reflected in the eye.
5. CLIPBOARD: -dead?
Panel 4. ALLISTER leaps to his feet and slashes open CLIPBOARD’s stomach with a vicious looking long claw which comes from his infected arm.
Panel 5. The SCIENTIST, holding the CLIPBOARD, points at ALLISTER and screams. The soldiers begin to raise their weapons.
6. SCIENTIST: Shoot him.
7. SCIENTIST: Shoot him! Shoot him! SHOOT HIM!
PAGE TWENTY (six panels)
Panel 1. ALLISTER has taken on an animalistic berserker demeanor. Blood drops from his claw and he’s hunched over breathing heavily and appraising the soldiers located behind the viewer.
Panel 2. The SCIENTIST turns and flees while the soldiers open fire of ALLISTER who is off panel to the side.
Panel 3. Bullets tear through ALLISTER as he slaughters soldiers with a long swinging blow using his claw.
Panel 4. The SCIENTIST is running down the street. Behind him one of the soldier’s torsos is thrown though the bar front and reflections of the fighting can be seen just barely inside.
Panel 5. ALLISTER smashes a soldier’s head into the ground where it pulps.
Panel 6. The SCIENTIST stands frozen in a pair of headlights emanating from behind the viewer.
PAGE TWENTY ONE (five panels)
Panel 1. DR. CASTOR gets out of the car with the CONCIERGE. The SCIENTIST runs towards him in a panic.
1. SCIENTIST: It’s killing them! It’s killing all of them!
Panel 2. The SCIENTIST rushes towards DR. CASTOR in a fearful frenzy. The CONCIERGE interposes herself between them in order to protect DR. CASTOR who himself remains calm and collected.
2. SCIENTIST: We have to get out of here or we’re next!
3. CONCIERGE: Stay back!
4. DR. CASTOR: Calm yourself doctor. What is killing them?
Panel 3. ALLISTER steps through the destroyed store front of the bar. He is holding a soldier up in the air with his claws which are impaled through his chest. The soldier is still alive but in shock and gushing blood. ALLISTER is still in a berserker state.
5. SCIENTIST (OFF): That!
Panel 4. ALLISTER looks up at a military helicopter who has him in a spotlight. He blocks the beam of the light from his face with his hand and lets the soldier on his claw slide to the ground.
6. DR. CASTOR (OFF): Is that-?
7. SCIENTIST (OFF): Subject 13! It’s out of control!
Panel 5. A shot from inside the helicopter just behind a soldier running a heavy machine gun. He has opened fire on ALLISTER who has walked over to an economy car.
8. DR. CASTOR (OFF): The army seems to have things well in hand.
9. SCIENTIST (OFF): I assure you Dr. Castor-
PAGE TWENTY TWO (five panels)
Panel 1. A wide shot. ALLISTER tosses the car which smashes into the helicopter. DR. CASTOR, the CONCIERGE, and the SCIENTIST. The SCIENTIST is terrified. The CONCIERGE is shocked but controlled. DR. CASTOR remains totally stoic.
1. SCIENTIST: -They don’t!
Panel 2. DR. CASTOR, the CHAUFFER, and the SCIENTIST stand by their car. They continue to watch the fight off panel.
2. CHAUFFER: I do believe you would be safer if we relocated doctor.
3. SCIENTIST: Yes! As soon as possible and take me with you.
Panel 3. The trio gets into the car. In the background ALLISTER is killing another soldier with a swipe of his claw. An APC is pulling around to attack ALLISTER as well.
4. DR. CASTOR: Yes, very well. Driver, get us out of here.
Panel 4. A close up of the car’s rearview mirror. Through the back-windshield ALLISTER can be seen smashing his claw into the APC’s engine
5. CONCIERGE (OFF): And just think doctor, back in London you were afraid this job would be nothing but paperwork.
Panel 5. DR. CASTOR sits in the backseat of the car. He has a hand on the CHAUFFER’ knee but both of them are looking out the back window at ALLISTER who is killing more soldiers who have started spilling out of the APC.
6. DR. CASTOR: No more concerns about that my dear.
PAGE TWENTY THREE (four panels)
Panel 1. A small inset panel of a set of bloody footprints leading through a trail of soldier’s bodies. A figure is walking unevenly in the background.
Panel 2. Another small inset of ALLISTER stumbling through an alley and collapsed. He’s the one leaving the footprints. He looks like he’s about to collapse. A shadowy figure is barely visible on the side of the panel.
Panel 3. One final inset of the mysterious figure coming closer to ALLISTER who ties and fails to rise to his feet.
1. ALLISTER: Stay back! I might hurt you- I don’t-
2. GEMINI: It’s okay. It’s me.
Panel 4. An attractive young woman, GEMINI, extends a hand to ALLISTER who looks up at her. GEMINI has short black hair and is dressed and has her hair cut with punk sensibilities. She has pale white skin and bright blue eyes.
3. GEMINI: It’s Gemini.